Ana Rendich

  • Selected Works

    It was all Hung by the Invisible Hope, 2017
    Oil on canvas, 36 x 36 inches

    It was all Hung by the Invisible Hope, 2017
    Oil on canvas, 36 x 36 inches

    From the Battlefield that has Buried the Bullets, 2017
    Oil on canvas, 36 x 36 inches

    From the Battlefield that has Buried the Bullets, 2017
    Oil on canvas, 36 x 36 inches

  • Past Exhibitions

    More Light: Karen Blair, Ana Rendich, Krista Townsend

    23 June – 13 August 2015

    Exhibition Images>

     

    Summer Light
    15 July – 21 August 2016

    Exhibition page >

     

    Seismic Shift, 2017
    Oil on board, triptych, 36 x 15 inches

     

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    Sanctuary 4, 2017
    Oil on board, diptych, 15 x 24 inches

     

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    Pueblo, 2017
    Oil on board, diptych, 15 x 24 inches

     

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    In the Pursuit of Happiness 4, 2017
    Oil on board, diptych, 48 x 15 inches

     

    ”Ana
    Sanctuary, 2017.
    Oil on panel, 11 x 24 inches

  • Biography

     

    Ana Rendich was born in Buenos Aires, Argentina.

    Lives and works in Fredericksburg, Virginia .

    Superior Institute of Art of the Teatro Colón, Buenos Aires, Argentina.

    University del Salvador, Buenos Aires, Argentina

    National Academy of Design, New York, New York

    Ana Rendich’s art has been featured in exhibits, museums, and galleries throughout the United States, including the Lincoln Center in New York, New York, the Butler Institute of American Art in Ohio, the Bellevue Arts Museum in the state of Washington, and Sienna Art Institute, Italy, in addition to being included in major publications. Her paintings can be found in private collections across the United States and internationally.

     

     

  • Artist Statement

    I have always been connected from the invisible and visible aspects of human drama, the local and the universal, and their paramount importance. My art is assembled from different elements. Even although my paintings are not separated from me or my being it is not intended to be about me; my subjects are greater than my individual self.

    My palette is not set in color – order, I find the colors as I go … I believe also that colors are like music notes, and poetry, including its pauses and dissonances. They create a dialogue and a sensory experience…

    I think that critical thinking goes hand with hand with art, and my paintings are born from a thought coming from an accumulation of a life of experiences, felt and heard.

    When I am working I separate from me the mimetic approach of the subject matter, also I separate from me creating from just emotions that can arise at that specific time. And without preconceptions that state of mind- motion, wakes up what was in me in a dormant stage and evolves on the canvas spontaneously and creates a sense- Presence. I paint to see.  I see that Presence and I see existence.

    Ana Rendich

     

  • Articles & Reviews

    Elizabeth Derby, “Lightness of Being,” Cville, 7/26/17, p. 33.